兔子的簡單剪法圖片

　　兔(tu)(tu)在十二(er)生肖(xiao)中，排行第(di)四。與十二(er)地支配屬“卯(mao)”，故一天十二(er)時(shi)辰中之(zhi)“卯(mao)”時(shi)——清晨(chen)五(wu)時(shi)至七(qi)時(shi)，又稱“兔(tu)(tu)時(shi)”。下(xia)面是為大家帶來(lai)的(de)最簡單兔(tu)(tu)子剪紙圖片，希望可幫助大家!

　　最簡單兔子剪紙圖片

　　最簡單(dan)兔子剪紙圖(tu)片1

　　最簡單兔子(zi)剪紙圖(tu)片2

　　最簡單兔子剪紙圖片3

　　最簡單兔子(zi)剪紙圖片(pian)4

　　剪紙的發展歷史

　　剪(jian)紙(zhi)(zhi)(zhi)(zhi)(又叫刻(ke)(ke)紙(zhi)(zhi)(zhi)(zhi))是(shi)(shi)中(zhong)(zhong)國(guo)(guo)(guo)(guo)最(zui)古(gu)(gu)老的(de)(de)(de)(de)(de)(de)民間藝術(shu)之一(yi)，在視覺(jue)上給(gei)人以(yi)透空的(de)(de)(de)(de)(de)(de)感覺(jue)和藝術(shu)享受(shou)。剪(jian)紙(zhi)(zhi)(zhi)(zhi)的(de)(de)(de)(de)(de)(de)載(zai)體可(ke)以(yi)是(shi)(shi)紙(zhi)(zhi)(zhi)(zhi)張、金(jin)(jin)銀箔、樹皮(pi)、樹葉、布、皮(pi)革(ge)。2006年5月20日，剪(jian)紙(zhi)(zhi)(zhi)(zhi)藝術(shu)遺(yi)產經國(guo)(guo)(guo)(guo)務院批準(zhun)列(lie)入《第一(yi)批國(guo)(guo)(guo)(guo)家級非物質文(wen)化遺(yi)產名錄》。中(zhong)(zhong)國(guo)(guo)(guo)(guo)的(de)(de)(de)(de)(de)(de)民間剪(jian)紙(zhi)(zhi)(zhi)(zhi)手工(gong)藝術(shu)有(you)(you)它自身的(de)(de)(de)(de)(de)(de)形(xing)成(cheng)和發展(zhan)過程，中(zhong)(zhong)國(guo)(guo)(guo)(guo)剪(jian)紙(zhi)(zhi)(zhi)(zhi)的(de)(de)(de)(de)(de)(de)發明是(shi)(shi)在公元(yuan)前(qian)(qian)的(de)(de)(de)(de)(de)(de)西漢(han)時(shi)代(dai)(公元(yuan)前(qian)(qian)3世紀(ji))，當時(shi)人們(men)運(yun)用(yong)薄片材(cai)料(liao)，通(tong)過鏤空雕刻(ke)(ke)的(de)(de)(de)(de)(de)(de)技(ji)法(fa)制成(cheng)工(gong)藝品(pin)，卻早在未出(chu)現紙(zhi)(zhi)(zhi)(zhi)時(shi)就已(yi)流行(xing)，即(ji)以(yi)雕、鏤、剔(ti)、刻(ke)(ke)、剪(jian)的(de)(de)(de)(de)(de)(de)技(ji)法(fa)在金(jin)(jin)箔、皮(pi)革(ge)、絹帛，甚至在樹葉上剪(jian)刻(ke)(ke)紋(wen)樣。《史記》中(zhong)(zhong)的(de)(de)(de)(de)(de)(de)剪(jian)桐(tong)封弟記述了西周初期成(cheng)王(wang)用(yong)梧(wu)桐(tong)葉剪(jian)成(cheng)“圭”賜其弟，封姬虞到(dao)唐為侯。戰(zhan)國(guo)(guo)(guo)(guo)時(shi)期就有(you)(you)用(yong)皮(pi)革(ge)鏤花，(湖北江(jiang)凌(ling)望山一(yi)號(hao)楚墓出(chu)土文(wen)物之一(yi))，銀箔鏤空刻(ke)(ke)花(河南輝縣固圍村戰(zhan)國(guo)(guo)(guo)(guo)遺(yi)址出(chu)土文(wen)物之一(yi))，都與剪(jian)紙(zhi)(zhi)(zhi)(zhi)同出(chu)一(yi)撤，他(ta)(ta)們(men)的(de)(de)(de)(de)(de)(de)出(chu)現都為民間剪(jian)紙(zhi)(zhi)(zhi)(zhi)的(de)(de)(de)(de)(de)(de)形(xing)成(cheng)奠定(ding)(ding)了一(yi)定(ding)(ding)的(de)(de)(de)(de)(de)(de)基(ji)礎(chu)。中(zhong)(zhong)國(guo)(guo)(guo)(guo)最(zui)早的(de)(de)(de)(de)(de)(de)剪(jian)紙(zhi)(zhi)(zhi)(zhi)作(zuo)品(pin)發現，是(shi)(shi)在1967年中(zhong)(zhong)國(guo)(guo)(guo)(guo)考古(gu)(gu)學家在新疆吐魯(lu)番盆地的(de)(de)(de)(de)(de)(de)高昌遺(yi)址附近(jin)的(de)(de)(de)(de)(de)(de)阿斯(si)塔那古(gu)(gu)北朝墓群中(zhong)(zhong)，發現的(de)(de)(de)(de)(de)(de)兩張團(tuan)花剪(jian)紙(zhi)(zhi)(zhi)(zhi)，他(ta)(ta)們(men)采用(yong)的(de)(de)(de)(de)(de)(de)是(shi)(shi)麻料(liao)紙(zhi)(zhi)(zhi)(zhi)，都是(shi)(shi)折疊型祭祀剪(jian)紙(zhi)(zhi)(zhi)(zhi)，他(ta)(ta)們(men)的(de)(de)(de)(de)(de)(de)發現為中(zhong)(zhong)國(guo)(guo)(guo)(guo)的(de)(de)(de)(de)(de)(de)剪(jian)紙(zhi)(zhi)(zhi)(zhi)形(xing)成(cheng)提供了實(shi)物佐證。

　　關(guan)于剪紙(zhi)(zhi)手工(gong)藝(yi)術(shu)的(de)(de)歷(li)史，即真正(zheng)意義上的(de)(de)剪紙(zhi)(zhi)，應該從紙(zhi)(zhi)的(de)(de)出(chu)現(xian)開始。漢代紙(zhi)(zhi)的(de)(de)發明(ming)促使了剪紙(zhi)(zhi)的(de)(de)出(chu)現(xian)、發展與(yu)普及。紙(zhi)(zhi)張(zhang)是(shi)一種很容(rong)易霉爛的(de)(de)材料(liao)，人們不會像珍寶一樣(yang)保(bao)存起(qi)來，搞(gao)壞了自己還(huan)可(ke)以再剪。而在(zai)中國西北(bei)地區(qu)天干少雨(yu)，氣候干燥，紙(zhi)(zhi)張(zhang)也不易霉爛，這也可(ke)能(neng)是(shi)新疆吐魯番地區(qu)發現(xian)北(bei)朝(chao)剪紙(zhi)(zhi)的(de)(de)一個(ge)重要(yao)原因之一。

　　唐(tang)(tang)代剪(jian)紙(zhi)(zhi)(zhi)已(yi)處(chu)于大(da)發(fa)展時(shi)期，杜甫(fu)詩中有“暖水濯(zhuo)我足，剪(jian)紙(zhi)(zhi)(zhi)招我魂”的(de)句子，以剪(jian)紙(zhi)(zhi)(zhi)招魂的(de)風俗當時(shi)就已(yi)流傳民(min)間(jian)。現(xian)藏(zang)于大(da)英博物(wu)館的(de)唐(tang)(tang)代剪(jian)紙(zhi)(zhi)(zhi)均可看(kan)出當時(shi)剪(jian)紙(zhi)(zhi)(zhi)手(shou)(shou)工藝術水平已(yi)極高，畫(hua)面構圖完整，表達一(yi)種天上(shang)人間(jian)的(de)理(li)想(xiang)境界。唐(tang)(tang)代流行頡，其鏤花(hua)木版(ban)紋樣具有剪(jian)紙(zhi)(zhi)(zhi)特色，如現(xian)藏(zang)日(ri)本(ben)正倉院的(de)“對羊”，其羊的(de)紋樣就是典型的(de)剪(jian)紙(zhi)(zhi)(zhi)手(shou)(shou)工藝術表現(xian)手(shou)(shou)法。唐(tang)(tang)代民(min)間(jian)還出現(xian)了利(li)用剪(jian)紙(zhi)(zhi)(zhi)形(xing)式制作的(de)`漏版(ban)印花(hua)板，人們用厚紙(zhi)(zhi)(zhi)雕刻(ke)成(cheng)花(hua)版(ban)，把染料漏印到布(bu)匹上(shang)，形(xing)成(cheng)非(fei)常美麗的(de)圖案。

　　宋(song)代造(zao)紙(zhi)(zhi)(zhi)業成熟(shu)，紙(zhi)(zhi)(zhi)品名(ming)目繁多，為(wei)(wei)(wei)(wei)剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)的(de)(de)(de)(de)普及提供(gong)了條件(jian)。如成為(wei)(wei)(wei)(wei)民(min)(min)(min)間(jian)(jian)(jian)(jian)(jian)禮品的(de)(de)(de)(de)“禮花(hua)”，貼于(yu)窗上的(de)(de)(de)(de)“窗花(hua)”，或(huo)用(yong)(yong)于(yu)燈彩、茶盞的(de)(de)(de)(de)裝(zhuang)飾。宋(song)代民(min)(min)(min)間(jian)(jian)(jian)(jian)(jian)剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)的(de)(de)(de)(de)運(yun)(yun)用(yong)(yong)范圍逐漸擴大，江西吉(ji)州窯把剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)作(zuo)為(wei)(wei)(wei)(wei)陶瓷(ci)的(de)(de)(de)(de)花(hua)樣(yang)，通過(guo)上釉、燒制(zhi)使(shi)陶瓷(ci)更加(jia)(jia)精美(mei);民(min)(min)(min)間(jian)(jian)(jian)(jian)(jian)還采用(yong)(yong)剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)的(de)(de)(de)(de)形(xing)式，用(yong)(yong)驢、牛(niu)、馬、羊等(deng)(deng)動物(wu)(wu)的(de)(de)(de)(de)皮(pi)、雕刻(ke)成皮(pi)影戲(xi)的(de)(de)(de)(de)人物(wu)(wu)造(zao)型;藍印花(hua)布工(gong)(gong)藝(yi)(yi)制(zhi)作(zuo)的(de)(de)(de)(de)鏤花(hua)制(zhi)版(ban)是(shi)(shi)用(yong)(yong)油紙(zhi)(zhi)(zhi)板雕鏤成紋(wen)，刮漿(jiang)印花(hua)的(de)(de)(de)(de)花(hua)版(ban)紋(wen)樣(yang)就是(shi)(shi)采用(yong)(yong)剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)的(de)(de)(de)(de)技法，有陰、陽刻(ke)之(zhi)分，長線要割斷(duan)，以(yi)點分虛實。明、清時(shi)期剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)手工(gong)(gong)藝(yi)(yi)術走向成熟(shu)，并達到(dao)(dao)鼎盛時(shi)期。民(min)(min)(min)間(jian)(jian)(jian)(jian)(jian)剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)手工(gong)(gong)藝(yi)(yi)術的(de)(de)(de)(de)運(yun)(yun)用(yong)(yong)范圍更為(wei)(wei)(wei)(wei)廣泛，舉(ju)凡民(min)(min)(min)間(jian)(jian)(jian)(jian)(jian)燈彩上的(de)(de)(de)(de)花(hua)飾，扇(shan)面上的(de)(de)(de)(de)紋(wen)飾，以(yi)及刺繡(xiu)的(de)(de)(de)(de)花(hua)樣(yang)等(deng)(deng)等(deng)(deng)，無一(yi)不是(shi)(shi)利用(yong)(yong)剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)作(zuo)為(wei)(wei)(wei)(wei)裝(zhuang)飾成再加(jia)(jia)工(gong)(gong)的(de)(de)(de)(de)。而(er)更多的(de)(de)(de)(de)是(shi)(shi)中國民(min)(min)(min)間(jian)(jian)(jian)(jian)(jian)常常把剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)作(zuo)為(wei)(wei)(wei)(wei)裝(zhuang)飾家(jia)居(ju)的(de)(de)(de)(de)飾物(wu)(wu)，美(mei)化居(ju)家(jia)環(huan)境，如門棧(zhan)、窗花(hua)、柜花(hua)、喜花(hua)，棚頂花(hua)等(deng)(deng)都是(shi)(shi)用(yong)(yong)來(lai)裝(zhuang)飾門窗、房間(jian)(jian)(jian)(jian)(jian)的(de)(de)(de)(de)剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)。除南宋(song)以(yi)后(hou)出現(xian)的(de)(de)(de)(de)紙(zhi)(zhi)(zhi)扎花(hua)樣(yang)工(gong)(gong)匠外，中國民(min)(min)(min)間(jian)(jian)(jian)(jian)(jian)剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)手工(gong)(gong)藝(yi)(yi)的(de)(de)(de)(de)最基本(ben)的(de)(de)(de)(de)隊伍(wu)，還是(shi)(shi)那些(xie)農村婦女(nv)。女(nv)紅(hong)是(shi)(shi)中國傳統女(nv)性完美(mei)的(de)(de)(de)(de)一(yi)個重要標志，作(zuo)為(wei)(wei)(wei)(wei)女(nv)紅(hong)的(de)(de)(de)(de)必修技巧——剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)，也就成了女(nv)孩子從小(xiao)就要學(xue)習的(de)(de)(de)(de)手工(gong)(gong)手藝(yi)(yi)。她們從前輩或(huo)姐妹那里要來(lai)學(xue)習剪(jian)(jian)(jian)紙(zhi)(zhi)(zhi)的(de)(de)(de)(de)花(hua)樣(yang)，通過(guo)臨剪(jian)(jian)(jian)、重剪(jian)(jian)(jian)、畫剪(jian)(jian)(jian)、描(miao)繪自(zi)己(ji)熟(shu)悉而(er)熱愛(ai)的(de)(de)(de)(de)自(zi)然景物(wu)(wu)，魚蟲(chong)鳥獸、花(hua)草樹木、亭橋風景，以(yi)至最后(hou)達到(dao)(dao)隨心所(suo)欲的(de)(de)(de)(de)境界，信手剪(jian)(jian)(jian)出新的(de)(de)(de)(de)花(hua)樣(yang)來(lai)。

　　手(shou)工藝(yi)術(shu)水平已極高，畫面構圖(tu)完(wan)整，表達一種天(tian)上人間(jian)的理(li)想(xiang)境界。唐(tang)代(dai)流(liu)行(xing)頡，其鏤花(hua)(hua)木版紋(wen)樣具有剪紙特色，如現藏日本正倉(cang)院的“對羊(yang)”，其羊(yang)的紋(wen)樣就(jiu)是典型的剪紙手(shou)工藝(yi)術(shu)表現手(shou)法。唐(tang)代(dai)民間(jian)還出(chu)現了利用剪紙形(xing)(xing)式制(zhi)作的漏(lou)(lou)版印花(hua)(hua)板，人們用厚紙雕刻成(cheng)(cheng)花(hua)(hua)版，把(ba)染料漏(lou)(lou)印到布匹上，形(xing)(xing)成(cheng)(cheng)非常(chang)美麗的圖(tu)案。

　　宋代造紙(zhi)(zhi)(zhi)業(ye)成(cheng)熟(shu)，紙(zhi)(zhi)(zhi)品(pin)名(ming)目繁多(duo)，為(wei)(wei)(wei)剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)的(de)(de)(de)(de)(de)(de)普(pu)及提供了(le)條件。如(ru)成(cheng)為(wei)(wei)(wei)民(min)間(jian)(jian)(jian)禮(li)品(pin)的(de)(de)(de)(de)(de)(de)“禮(li)花(hua)(hua)(hua)(hua)(hua)(hua)(hua)”，貼于(yu)窗(chuang)(chuang)上(shang)的(de)(de)(de)(de)(de)(de)“窗(chuang)(chuang)花(hua)(hua)(hua)(hua)(hua)(hua)(hua)”，或用(yong)于(yu)燈(deng)彩、茶(cha)盞(zhan)的(de)(de)(de)(de)(de)(de)裝飾(shi)。宋代民(min)間(jian)(jian)(jian)剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)的(de)(de)(de)(de)(de)(de)運用(yong)范圍(wei)逐漸擴(kuo)大，江西吉州窯(yao)把剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)作為(wei)(wei)(wei)陶瓷的(de)(de)(de)(de)(de)(de)花(hua)(hua)(hua)(hua)(hua)(hua)(hua)樣(yang)(yang)，通過上(shang)釉、燒制使陶瓷更加(jia)精美(mei)(mei);民(min)間(jian)(jian)(jian)還(huan)采(cai)用(yong)剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)的(de)(de)(de)(de)(de)(de)形式，用(yong)驢、牛、馬、羊等(deng)動物(wu)(wu)的(de)(de)(de)(de)(de)(de)皮、雕刻(ke)成(cheng)皮影戲的(de)(de)(de)(de)(de)(de)人物(wu)(wu)造型;藍印花(hua)(hua)(hua)(hua)(hua)(hua)(hua)布工藝制作的(de)(de)(de)(de)(de)(de)鏤花(hua)(hua)(hua)(hua)(hua)(hua)(hua)制版是(shi)(shi)用(yong)油紙(zhi)(zhi)(zhi)板雕鏤成(cheng)紋，刮漿印花(hua)(hua)(hua)(hua)(hua)(hua)(hua)的(de)(de)(de)(de)(de)(de)花(hua)(hua)(hua)(hua)(hua)(hua)(hua)版紋樣(yang)(yang)就是(shi)(shi)采(cai)用(yong)剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)的(de)(de)(de)(de)(de)(de)技法，有陰、陽刻(ke)之分(fen)(fen)，長(chang)線(xian)要(yao)割(ge)斷(duan)，以(yi)點分(fen)(fen)虛(xu)實。明、清時(shi)(shi)期剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)手(shou)(shou)工藝術走向成(cheng)熟(shu)，并(bing)達到鼎盛時(shi)(shi)期。民(min)間(jian)(jian)(jian)剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)手(shou)(shou)工藝術的(de)(de)(de)(de)(de)(de)運用(yong)范圍(wei)更為(wei)(wei)(wei)廣泛，舉凡民(min)間(jian)(jian)(jian)燈(deng)彩上(shang)的(de)(de)(de)(de)(de)(de)花(hua)(hua)(hua)(hua)(hua)(hua)(hua)飾(shi)，扇面(mian)上(shang)的(de)(de)(de)(de)(de)(de)紋飾(shi)，以(yi)及刺繡的(de)(de)(de)(de)(de)(de)花(hua)(hua)(hua)(hua)(hua)(hua)(hua)樣(yang)(yang)等(deng)等(deng)，無一(yi)不是(shi)(shi)利用(yong)剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)作為(wei)(wei)(wei)裝飾(shi)成(cheng)再加(jia)工的(de)(de)(de)(de)(de)(de)。而更多(duo)的(de)(de)(de)(de)(de)(de)是(shi)(shi)中(zhong)國(guo)民(min)間(jian)(jian)(jian)常常把剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)作為(wei)(wei)(wei)裝飾(shi)家居的(de)(de)(de)(de)(de)(de)飾(shi)物(wu)(wu)，美(mei)(mei)化居家環境，如(ru)門棧、窗(chuang)(chuang)花(hua)(hua)(hua)(hua)(hua)(hua)(hua)、柜花(hua)(hua)(hua)(hua)(hua)(hua)(hua)、喜花(hua)(hua)(hua)(hua)(hua)(hua)(hua)，棚頂花(hua)(hua)(hua)(hua)(hua)(hua)(hua)等(deng)都是(shi)(shi)用(yong)來裝飾(shi)門窗(chuang)(chuang)、房(fang)間(jian)(jian)(jian)的(de)(de)(de)(de)(de)(de)剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)。除南(nan)宋以(yi)后出(chu)(chu)現的(de)(de)(de)(de)(de)(de)紙(zhi)(zhi)(zhi)扎花(hua)(hua)(hua)(hua)(hua)(hua)(hua)樣(yang)(yang)工匠(jiang)外，中(zhong)國(guo)民(min)間(jian)(jian)(jian)剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)手(shou)(shou)工藝的(de)(de)(de)(de)(de)(de)最(zui)基本的(de)(de)(de)(de)(de)(de)隊(dui)伍，還(huan)是(shi)(shi)那些農村婦女。女紅是(shi)(shi)中(zhong)國(guo)傳(chuan)統女性完美(mei)(mei)的(de)(de)(de)(de)(de)(de)一(yi)個(ge)重要(yao)標(biao)志，作為(wei)(wei)(wei)女紅的(de)(de)(de)(de)(de)(de)必修技巧(qiao)——剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)，也就成(cheng)了(le)女孩子從小就要(yao)學習(xi)的(de)(de)(de)(de)(de)(de)手(shou)(shou)工手(shou)(shou)藝。她們從前輩或姐妹那里要(yao)來學習(xi)剪(jian)(jian)(jian)(jian)(jian)(jian)紙(zhi)(zhi)(zhi)的(de)(de)(de)(de)(de)(de)花(hua)(hua)(hua)(hua)(hua)(hua)(hua)樣(yang)(yang)，通過臨剪(jian)(jian)(jian)(jian)(jian)(jian)、重剪(jian)(jian)(jian)(jian)(jian)(jian)、畫(hua)剪(jian)(jian)(jian)(jian)(jian)(jian)、描繪自己熟(shu)悉(xi)而熱(re)愛(ai)的(de)(de)(de)(de)(de)(de)自然景(jing)物(wu)(wu)，魚蟲鳥獸、花(hua)(hua)(hua)(hua)(hua)(hua)(hua)草樹木、亭橋風(feng)景(jing)，以(yi)至最(zui)后達到隨心所欲的(de)(de)(de)(de)(de)(de)境界，信手(shou)(shou)剪(jian)(jian)(jian)(jian)(jian)(jian)出(chu)(chu)新(xin)的(de)(de)(de)(de)(de)(de)花(hua)(hua)(hua)(hua)(hua)(hua)(hua)樣(yang)(yang)來。

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